RRR

Horseface

Taught me that Indian movies apparently should just be ignored, as ratings apparently tell you absolutely nothing about the quality of a film. This is perhaps the worst acting I've ever seen - Plan 9 from Outer Space included - with post-production dubbed voices to boot! Add to that the most cringey, cartoonish pathetic storyline, and you're seriously wondering if this is all a joke. No, SERIOUSLY wondering. I considered I might keep watching for the laughs (I was laughing from the very first scene with the lip surgery receiving evil white woman sitting in the jungle in the 1920s surrounded by kneeling indigenous worshippers and a terribly-dubbed studio recording of a little girl singing, with the girl not even remote knowing the lyrics and making all the wrong mouth movements to pretend it's actually her doing the singing). But then I realized at 3h5m, the cringey OMG-it's-so-bad-it's-funny laughs definitely wouldn't last that long. Holy graboid on a blind horse, Batman, this is so bad! No more Indian movies for me. Lesson learned.

kamaravichow

The Cinemark near me has started to show Indian movies. Not feeling like sitting home tonight, I decided to catch this one, and luck was with me. My image of Indian movies, I confess, was that they were mostly musicals centering around a love story involving a very beautiful young woman and a very handsome young man, with lots of elaborate, high-energy dance numbers to keep things going. There is a love story here, but it's not the focus of the film. There are also a few large and very impressive dance numbers, but only a few. (The men's dancing, extremely athletic, astounded me.) Rather, this movie focuses on the story of two young men in 1920s India who, each in his own way, are fighting against the English occupiers. The English are portrayed as inhuman monsters. Very often, they made me think of the worst atrocities committed by the Germans in France during World War II, or the most rabid racists in the American South. The first time we see the two male leads dancing, a link is indeed made between the Indians and what appear to be Black American musicians. Every time the Indians manage to take revenge on the English for their inhuman abuse of the Indians, you cheer - but at times I wondered if I would have cheered watching a parallel movie about Blacks taking revenge on white racists who had mistreated them in the American South, especially if I had been in a movie theater where, like tonight, I was the only audience member who did not belong to the oppressed population. Imagine Spike Lee, for example, able to make a movie in which he did not have to worry about selling tickets to whites as well as Blacks, and you have some idea of how anti-British colonials this movie is. It is the difference between a society in which the oppressor was a small minority of the population vs. Here, where Blacks are a minority of the American population. I don't want to push this comparison too far. The movie only makes the connection in one scene. But this is very definitely a movie that focuses on the story of a brutally oppressed people seeking freedom from an inhuman oppressor, rather than just a series of dance numbers. I don't speak any of the Indian languages used in the movie, but I had no problem following what was going on with the subtitles, which were almost always easy to read. I'm sure there were cultural references I didn't catch, however, especially at the end in the final big dance number, which seemed to be presenting India as a nation of different regions and cultures all united in one. The director and cinematographer definitely deserve praise. There was one very striking visual image after the next, especially during the battle scenes. Ram Charan, dressed as a "native warrior"-if that term means anything anymore-flying through flames was breathtaking. So, if you've even been curious about Indian movies, give this one a try. Yes, it's three hours long, but trust me, the time goes flying by. This is truly an action movie, a mixture of visual fantasy and often very graphic realism that held my interest to the end.

My first exposure to Telugu Cinema, is when I saw my wife watching a near naked guy running in the forest, chased by a Tiger, looking so shredded that I thought my wife was appreciating the sweaty, bulbous body of a forest guy. I dismissed it immediately as another macho movie after-all, which is not my wife's favorite (its Korean movies). Until I saw a raving review of the Netflix viewer in Youtube who aren't Indians but Americans and Europeans. Now that caused me curiosity. So I decided to watch it, and then watched it again. First I can't believe the quality of CGI in most cases and the great acting of the very charismatic actors NTR and Ram Charan. With Ajay Degn and Alia Bhatt making the movie an experience of a lifetime. The movie is brimming with action, drama and great fun that I wished I watched it in bigscreen. I even eatched its Telugu version. Although the Brit-actors aren't too convincing, the entire movie is bursting with energy and drama and with it a series of suspending your belief that a movie this good can feel so short even if its 3 hours. The movie led me on a journey of watching old Rajamouli, NTR and Ram Charan movies. I have been familiar with Devgn's Drishyam (also good). I just had ti watch this several times due to so many things one can find and the beauty of friendship and relationships in the world of freedom fighters. This is 11 but I can only give it 10/10 for sanity reason.

**By: Louisa Moore / www.ScreenZealots.com** “RRR” is one of those movies where just about everyone who watches it, loves it. It’s an over-the-top historical spectacle about a violent uprising in 1920s India, offering a fictitious retelling of real events. This international blockbuster has everything: thrilling action sequences, adrenaline-charged stunts, a rousing story, and euphoric Bollywood dance scenes that are nothing short of show-stopping. The plot centers around two real-life India revolutionaries, Alluri Sitarama Raju (Ram Charan Teja) and Komaram Bheem (N.T. Rama Rao Jr.), and imagines what would have happened had the two met and become friends. In “RRR,” the men join together to fight against the British Raj and brutal colonialism in order to save the people. The trail of vengeance begins after a young girl is abducted and Bheem takes action to free her from the tyrannical regime. Raju is working for the enemy and becomes a strong adversary to Bheem’s rescue mission. Clashes and chaos ensue when the two start working together. This movie is crazy, ridiculous, silly, excessive, and absolutely amazing. Director S.S. Rajamouli has an enviable skill and master of the craft, as he puts together some truly inventive and unforgettable sequences. Everything is executed with precision and it all works, no matter how outrageous the ideas sound (like unleashing an army of CGI animals into an unsuspecting crowd). This is a strong achievement in directing, and it’s one of the most entertaining movies I have ever seen. Part of the reason the film works so well is due to the two charismatic leads who can act, dance, sing, and do their own stunts. They’re bonafide action stars with old Hollywood charisma and charm, and their screen presence is unmatched. I could happily watch these two in anything. They’re so good together that audiences should be begging for a sequel. It’s not all lighthearted fun, and Rajamouli takes his historical setting seriously. The film doesn’t gloss over brutality and violence, and there are upsetting scenes of abuse and death. Men, women, and children are put in great peril. The heroes in the movie are mostly men, and women are the ones who need to be rescued. This is a macho story and not a feminist one, but that doesn’t make much of a difference to the classic action movie vibe. Everything is dialed up to the maximum level, and every second of the movie’s 3-hour-plus run time is packed. “RRR” is a crowd-pleasing cinematic experience that’s intoxicating, exhilarating, and delivers a ton of fun. It may also inspire viewers to research India’s history and learn more about the country’s revolutionaries, which is an interesting undertaking in its own right.

This movie is one, really fun, action-packed, superhero watch. The CGI, of course, is fantastic. What I love about this movie, though, is that it's not just an empty, trivial story as an excuse for CGI. Quite the contrary. The story itself is a fictionalized version of a very real, revolutionary period just before Gandhi's non-violence movement took the lead. If anyone could make any complaint at all, it would be that the British roles are caricatures. Honestly though, what do we white Americans know of how Imperial Britain treated its "non-white subjects"? We DO know that, in 1919, British troops fired on a crowd of unarmed protesters killing hundreds of men, women and children. So the film is steeped in real history. Perhaps, the caricatures were Rajamouli's way of side-stepping the issue by allowing the viewer to accept them at the same level of unreality as the two super heroes of the film. The film itself is over the top, fun and action-packed. It even has the requisite Bollywood dance scenes! I loved the way Ram became Rama, the mythological Hindu archer, an avatar of Vishnu. I probably missed other cultural references, but I suspect that when the two superheroes cooperate, they have 4 arms - that is Shiva, the destroyer with a bow and arrow in two of the arms. The story and production design are gripping. S.S. Rajamouli does such an amazing job with the pacing that three hours seems to fly by before you can even say popcorn.

griggs79

This has been on my watchlist for far too long, and I only wish I had watched it sooner. The film is a visual masterpiece, its beauty serving as a captivating contrast to the intense and brutal violence it depicts. For a fictionalised history, the story is remarkably deep, with characters that are not just well-developed, but also deeply engaging, with clear and believable motivations that draw you into their world. The only downside? The British actors. They're as stiff as cardboard, and not one fiddles with their moustache like a proper Edwardian villain. What's the point of being dastardly if you're not moustache-twirling?

griggs79

Few films manage to create an enduring impact with every viewing, but _RRR_ achieves this with remarkable finesse. Watching _RRR_ on Netflix was unforgettable; experiencing it in the cinema was transcendent. Despite knowing what to expect, the sheer scale and energy of the film left me awestruck all over again. It felt like I was seeing it for the first time, with every moment magnified to near-mythic proportions. _RRR_ redefines what spectacle can be—visually stunning, emotionally gripping, and unapologetically bold. Its grandeur, with sweeping landscapes and meticulously choreographed action sequences, sets a new benchmark for cinematic spectacles. The film's boldness and grandeur are truly inspiring, and the juxtaposition of its painterly beauty with raw, visceral violence only deepens its impact. Beneath the dazzling surface lies a story with remarkable depth, anchored by characters whose unwavering convictions and intense struggles transform the film's outrageous set pieces into emotionally charged experiences. Amidst the chaotic yet mesmerising action scenes, _RRR_ beautifully balances contrasting emotions—humour, joy, and sorrow. This delicate interplay of emotions enriches the viewing experience, making it more than just a visual spectacle. Moments of laughter seamlessly intertwine with heart-wrenching scenes, creating a tapestry of resonating emotions that keep you engaged and emotionally invested. I can't wait to see it again, next time at the Royal Albert Hall with the Royal Philharmonic Orchestra providing a live score. _RRR_ isn't just a film; it's an event, a celebration of what cinema can achieve when it dares to dream big.

CinemaSerf

This isn't so much reading, (w)riting and 'rithmetic as rise, roar and revolt as is depicts a story of one man's uprising against the brutality of the Raj. The seeds of resentment have been bubbling under for many a year by the time the governor and his wife stop off at a small village. There, the young "Malli" (Twinkle Sharma) puts some designs on the hand of "Mrs. Scott" (Alison Doody) who is so impressed that she tells her husband (Ray Stevenson) that she wants the girl as a plaything. Despite the protestations of the girl's petrified mother, her wish is his command and off she is duly taken - with fatal results. Meantime, with revolution brewing elsewhere the British are relying on their fearsome policeman "Rama Raju" (Ajay Devgn) - a one-man force whom they appreciate when it suits them but who is never given his due recognition. That chance might come if he can track down "Bheem" (NTR) - a tribal leader who is proving to be more of a thorn in the side of the administration - and bring him to justice in any way he can. It's a train incident that sees the two men meet for the first time as they both battle to save a young girl from the fire and the waters of the lake, and from that incident a friendship emerges - but that's before they know just who the other is. What chance their friendship might survive otherwise? Right from the beginning, this historical epic manages to mix the mythology of the Gond with the cultural, economic and political issues facing a 1920s India under the control of a megalomaniac Imperialist. The visual effects are every bit as stylishly presented as anything we'd see from Hollywood or Pinewood and the pace of the film rarely stops for more than a few minutes - and yes, some obligatory song and dance routines that never quite work for me. Sure the roles of just about everyone have been exaggerated to maximise the polarity between good and evil, and I did struggle to take Stevenson's character seriously - artistically or historically; but it's those very excesses across the board that imbue this with a sense of excitement as it races along, admittedly quite predictably, to a showdown that's a bit light on the jeopardy front but is really quite entertaining to watch. Its a big screen experience, this, as much of the colour and vibrancy - even profligacy - of it's heavily CGI-reliant production will be lost on the telly, and with combat scenes galore throughout to support what is a very human story of freedom versus oppression, it's quite an impressive piece of cinema held together by two charismatic leading actors who look like they are enjoying themselves, too.